We live in an age rife with nonconsensual surveillance. There’s always the chance that someone has an eye or ear on you. Perhaps the scariest part of this is how complacent we’ve become about what not so long ago was a dystopian nightmare.
And yet, in Steven Soderbergh’s latest thriller, Kimi, the setup that someone’s listening is not just a frightening hook but also a strange ray of hope.
