Sound the klaxon: The Disney+/Hulu purge has begun.
The disturbing trend of streaming originals and exclusives being yoinked(opens in a new tab), yeeted(opens in a new tab), and quietly memory-holed(opens in a new tab) off the very platforms that hosted them continues apace at the House of Mouse, Deadline reports(opens in a new tab).
The latest round of streaming shows to get the Red Wedding treatment includes 80s throwback revivals Turner & Hooch and Willow, which was still releasing new episodes as recently as March(opens in a new tab) this year (and was believed by even the showrunners to be on hiatus(opens in a new tab) rather than cancelled); The World According To Jeff Goldblum; Dollface; National Geographic co-produced ebola drama The Hot Zone; and last year’s viscerally animated Little Demon, starring Danny DeVito and Aubrey Plaza. (The full list of cut shows can be found below.)
It also includes Y: The Last Man, an adaptation of the beloved Image graphic novel series that finally made it to screens after years of development hell and COVID production delays only to be unceremoniously cancelled before the first season had even finished airing. Showrunner Eliza Clark tweeted a bleak summary of her journey with the short-lived show:
All these titles will be removed on May 26.
Streamers rarely share their true rationale for dumping completed content from their platforms, but it’s plainly a cost-cutting measure(opens in a new tab). Hosting even years-old content comes with ongoing expenses related to everything from server space to licensing and residuals; Warner Bros. Discovery, which owns Max (fka HBO Max), is the most notable offender, notoriously nixing WB’s Batgirl movie before it was even out of post-production and yanking other shows(opens in a new tab) off streaming completely, reportedly as tax writedowns(opens in a new tab).
And while older and theatrical titles leaving a particular streamer happens all the time as licensing deals shift and shuffle content between different platforms, companies ditching their own bought-and-paid-for content that’s unlikely to find a new home elsewhere online — let alone on physical media — is a darker trend that leaves creators with essentially nothing to show for their years of work.
They’re not entirely alone, as it’s been a year of belt-tightening for Disney across the board — thousands of jobs have been eliminated across divisions in a massive restructure(opens in a new tab). And even as the Writers Guild strikes for better pay and job security, which have both suffered in the era of peak streaming as residuals and other payments linger at significantly lower rates than network under ageing agreements, streamers are largely pivoting from boosting subscriber numbers with an embarrassment of content riches to boosting shareholder profits with cost cutting(opens in a new tab).
The list so far, as confirmed to Vulture(opens in a new tab) and Deadline(opens in a new tab) by Disney representatives, is:
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A Spark Story
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Be Our Chef
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Best In Dough
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Best In Snow
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Big Shot
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Black Beauty
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Cheaper by the Dozen
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Clouds
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Diary of a Future President
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Disney Fairy Tale Weddings
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Dollface
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Earth To Ned
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Encore!
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Everything’s Trash
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Foodtastic
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Howard
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It’s a Dog’s Life With Bill Farmer
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Just Beyond
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Little Demon
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Love In The Time Of Corona
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Maggie
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Magic Camp
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Marvel’s Project Hero
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Marvel’s MPower
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Marvel’s Voices Rising: The Music of Wakanda Forever
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Pistol
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Rosaline
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Stargirl
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Stuntman
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The Hot Zone
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The Making Of Willow
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The Mighty Ducks: Game Changers
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The Mysterious Benedict Society
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The One And Only Ivan
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The Premise
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The Quest
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The World According To Jeff Goldblum
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Timmy Failure
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Weird but True!
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Willow
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Wolfgang
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Y: The Last Man
UPDATE: May. 19, 2023, 1:29 p.m. AEST This story has been updated to include further titles on the chopping block, as reported by Deadline.
