I was hooked on Charli XCX and John Cale’s song “House” from the very first listen.
The track, which opens Charli XCX’s Wuthering Heights album, pulses with a sense of growing dread, building from isolated, creaking strings to a blazing crescendo. (A “Wall of Sound,” if you will.) To listen to it is to feel the same sense of confinement and madness present in Emily Brontë’s novel. While I had my worries about Emerald Fennell’s “Wuthering Heights” going into the theater, I was still excited to see how she deployed “House.”
Mere minutes into the movie, I got my answer, and I was underwhelmed.
“House” plays during the opening minutes of “Wuthering Heights,” in which young Cathy and Nelly (Charlotte Mellington and Vy Nguyen) attend a frenzied hanging, then tear across the moors back to Wuthering Heights. The song fades as we get our first glimpse of the film’s titular estate, a darkened blot against hulking rock crags.
The song remains a banger, especially as the film version incorporates extra orchestrations by Anthony Willis. But while the song establishes a fittingly bleak tone for the rest of the film, its placement is odd. Why is this extremely claustrophobic track being used over a shot of Cathy and Nelly running with wild abandon across the vast moors? Why does this introspective, harrowing song serve as the soundtrack to a rowdy crowd scene? The visuals and song are separately entrancing, but they do not mesh. There’s no sense of creeping dread or isolation. It’s just Fennell throwing the song’s climax at us in the hopes of overloading our senses. Unfortunately, in doing so, Charli XCX and Cale’s refrain of “I think I’m gonna die in this house” loses its potency.
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It’s not like Fennell couldn’t have used “House” anywhere else. Cathy worries about wasting away in Wuthering Heights with her ruined father (Martin Clunes) before she meets Edgar Linton (Shazad Latif). Then, once at Thrushcross Grange, she realizes she’s in a gilded prison. Not to be too literal, but if you have a song named “House,” maybe tie it to a character’s relationship to one of the film’s two central houses!
(After all, if my new husband painted my room the exact color of my face, mole and all, my reaction would absolutely be, “I think I’m gonna die in this house.”)
While Fennell doesn’t use “House” to its highest potential, at least TikTok is on the case. The song has become a meme online, used to soundtrack moments of despair or unsettling images.
These videos, while short, perfectly weaponize the unsettling power of “House,” albeit with a humorous twist. And I’ll take funny over Fennell’s underwhelming song placement every time.
Wuthering Heights is now in theaters.
