Between projects like Ted Lasso and Shrinking, showrunner Bill Lawrence has cornered the market on feel-good coming-of-middle-age comedies. His new HBO comedy Rooster, created with Matt Tarses (Scrubs), is the latest entry into that subgenre. It’s also the most literal on the “coming-of-age” front, with its college setting evoking ideas of students discovering themselves and their independence.
However, the focus here is not really on the students but on the faculty, including new writer-in-residence Greg Russo (Steve Carell) and his daughter, art history professor Katie (Charly Clive). Just like their pupils, these teachers have a lot of soul-searching to do. Their ensuing stories of college reinvention prove sweetly warm, even if they tread familiar ground by Lawrence standards.
What’s Rooster about?
Credit: Patrick Wymore / HBO
A best-selling author of gripping beach reads, Greg never expected to teach. The only reason he visited New England’s quaint Ludlow College in the first place was to check in on Katie. Her husband, fellow professor Archie (Phil Dunster), has left her for grad student Sunny (Lauren Tsai)… and everyone on campus knows it. Faced with all this humiliation and scrutiny, Katie has a perfectly reasonable crash out and burns Archie’s house down. OK, maybe it’s not that reasonable, but it was an accident!
With Katie about to lose her job, college president Walter Mann (John C. McGinley) offers Greg a deal: He’ll let Katie keep teaching if Greg teaches a creative writing course for the semester. This way, Ludlow gets a boost from having a best-seller in its classrooms, and Katie’s life doesn’t implode any further. Greg accepts, hoping to get more involved in Katie’s life, while also unknowingly launching himself into the trials and tribulations of modern academia.
Rooster is a sweet father-daughter comedy.
Steve Carell and Charly Clive in “Rooster.”
Credit: Katrina Marcinowski / HBO
Rooster marks a journey of self-discovery for both Katie and Greg.
Katie has to reckon with the trauma of Archie’s betrayal, which tanked her self-esteem and sense of place on campus. Her father’s new, consistent presence at Ludlow is both a comfort and a claustrophobic reminder of why he came to see her in the first place, resulting in a push-and-pull between exasperation and genuine thankfulness. Clive walks that line perfectly, acting as the slightly prickly foil to Carell’s overeager father figure.
Similarly to Jason Sudeikis in Ted Lasso and Jason Segel in Shrinking, Carell’s Greg is often enthusiastic to the point of overbearing. Yet his meddling in Katie’s life is tempered with just enough sweetness to turn those overbearing qualities endearing, and Carell’s performance bursts with warmth and self-effacing charm.
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In addition to helping Katie through the roughest of rough patches, Greg also realizes that his new role at Ludlow could be a fresh start for him. He didn’t go to college as a young adult, but as Rooster proves, it’s never too late to embrace college’s transformative power. For Greg, that means a chance to step out of his meeker shell and become more like Rooster, the suave hero of his books. So begins his party era, complete with beer pong with students, hookups with Walter’s assistant Cristle (a delightful Annie Mumolo), and a pair of cool guy shades.
While it’s fun to watch Carell cut loose, he and Rooster are at their best when they zero in on Katie and Greg’s complicated relationship and Ludlow’s departmental shenanigans, brought to life by an incredible ensemble cast. McGinley’s gossip-loving Walter is a hoot, taking most of his meetings in a sauna so hot that his colleagues have no choice but to sweat out their emotional hang-ups. Danielle Deadwyler shines as poetry professor Dylan, whose dry wit and experience at Ludlow make her the perfect guide for Greg’s first semester. And Dunster exudes nauseating pretentiousness as Archie, the one character who can truly turn Greg venomous. (“You’re a bad person, and I hate you,” Greg spits at him, recalling Michael Scott’s pure hatred of Toby in The Office.)
Elsewhere, Rooster and Tsai focus in on Sunny’s aspirations to make her more than just the Other Woman in Katie and Archie’s marriage. (While she was not Archie’s actual student, I still think he deserves jail time for being the worst to both women!) Even minor characters like Sunny’s roommate (Robby Hoffman) and a local cop (Rory Scovel) become instant scene-stealers, and the students we encounter at Ludlow, while often archetypal try-hards or slackers, still feel real enough to give the campus a lived-in feel.
Rooster tackles intergenerational divides on college campuses.
Danielle Deadwyler and Steve Carell in “Rooster.”
Credit: Katrina Marcinowski / HBO
Greg has a tough time adjusting to life on a small liberal arts campus, as students are a lot more vigilant than he is about what is appropriate to do or say. Greg calling a stubborn student his “white whale” as a Moby Dick reference won’t fly here. Nor will performing the “Walk Like an Egyptian” dance in an awkward attempt to salvage an embarrassing fall.
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Both these instances result in behavioral write-ups for insensitivity. Yet somehow, Rooster manages to play off this divide between Greg and Ludlow’s students in a way that’s neither patronizing of the students’ social consciousness, nor scolding of Greg’s lack of awareness. It lightly ribs all parties involved, while still finding validity in their positions. The students can be too much, but they’re also eager to change the world for the better. And Rooster highlights that Greg is coming from a good place of wanting to listen and learn, something he shares with Lawrence’s other recent heroes.
To that end, it’s hard not to think of Ted Lasso and Shrinking throughout Rooster. Workplace patter-turned-therapy sessions abound, and the often-cheerful Greg is, like Ted and Jimmy, harboring a deeper hurt. His close relationship with troubled student Tommy (Maximo Salas) also feels reminiscent of Jimmy’s dynamic with patient Sean (Luke Tennie) in Shrinking.
That familiarity risks feeling cloying at times, but the college satire element gives Rooster just enough bite to set itself apart. It’s a charming tale of finding yourself again and helping others along the way, and that’s certainly worth crowing about.
Rooster premieres March 8 at 10 p.m. ET on HBO and HBO Max.
