Back for Season 2, Dreaming Whilst Black is a sharp, must-watch satire about the entertainment industry, and the barriers blocking Black artists in TV and film.
Co-created by, co-written by and starring Jamaican-British filmmaker Adjani Salmon, the show’s timeliness cannot be understated. As Robert Daniels writes in his Season 1 review for Mashable, “While Black directors like Jordan Peele, Ava DuVernay, Ryan Coogler, Barry Jenkins, and Steve McQueen are respected, award-winning auteurs, the film industry hasn’t become that much easier for young Black directors. Black creatives are largely still shut out of filmmaking because of institutional racism, economic hardship, or by simply not knowing the right people.”
Dreaming Whilst Black Season 1 focused on Salmon’s protagonist, aspiring filmmaker Kwabena Robinson, as he tried to get a foot in the industry door and make Jamaica Road (a film inspired by his grandparents of the Windrush generation) without “selling out.” Season 2 looks at the immense pressure he’s under once he’s in the door.
“I feel like Season 2 for us, especially seeing the landscape and especially being a show that’s about the industry, it just felt right to reflect the times and reflect our peers,” Salmon tells Mashable.
“It felt like a fun challenge to tackle the present in terms of when you get these big opportunities, or when Black or brown creatives get these opportunities, is it as good as it’s made out to be? Or when something’s given with a good intention, does that mean that it always turns out, which you’ve seen play out more recently — intention versus impact. So we just thought it would be best to tackle that in a comedy. How else?”
“…being a show that’s about the industry, it just felt right to reflect the times and reflect our peers.”
This season, Kwabena takes on his first TV job, Sin and Subterfuge, which is a “genre-busting Regency drama” with colorblind casting, which may or may not be related to a show that actually exists. And through Kwabena’s highly stressful experience with casting, rewrites, shoots, and micromanagement from the top, the show raises interesting questions around historical context, limited resources, on-set politics, and the realities of colorblind casting itself.
“It felt like the easiest thing to call out, to visualise what we’re talking about,” Salmon says. “Because I know which show you referring to, but actually, there are quite a few shows that have done this, where they’ve done colorblind casting. I think especially with conversations with our casting director, is that idea that maybe we should move towards color-conscious casting, which is something that we do, where not everybody who we write do we write them the same race that we cast. For example, Alexandros in Season 2, initially he was written British, but a Greek actor came in and he was great, but then we had to rewrite. So, I guess the consciousness in the casting was rewriting the script to acknowledge the actor that we have.”
In Season 2’s first episode, we get a glimpse into the industry’s weak attempts at inclusive storytelling with a string of fictional TV shows that Kwabena turns down, including Mandem in Outer Space and Grime and Punishment. And according to Salmon, the list of potential fictional TV shows the writers came up with was long (and not so fictional).
“Oh, man, we had loads. I will say, because we like to joke that Dreaming Whilst Black‘s a documentary, and we don’t make up race-related jokes, I will say a lot of the shows that we came up with are shows that we either know about, or that had existed, or had been pitched,” says Salmon. “We may have reworded stuff — you know, copyright infringement — but it just represented, again, this idea of intention versus impact, when it’s like, ‘Oh, we need more diverse content. Great. What do we do?’ and you just start throwing ideas out there. What you see is probably not the craziest of ideas that we came up with, but the ones that were safest to play out.”
You can watch Salmon’s interview with Mashable above.
Dreaming Whilst Black is now streaming on Paramount+ in the U.S. and BBC iPlayer in the UK.
