This November doesn’t look like other Novembers, not on the game release calendar anyway. Typically, this month is reserved for the release of a few of the biggest games of the year, strategically timed to drop just before the holiday season and events like The Game Awards. But in 2026, nearly every big publisher and even lots of smaller ones backed away from November for one obvious reason: Grand Theft Auto 6.
Rockstar’s long-awaited sequel will likely break every entertainment sales record that exists. Launching in that kind of blast radius isn’t an enticing prospect for most. But it didn’t scare off Denkiworks, creators of Tanuki: Pon’s Summer, and I wanted to know why.
Speaking with him via email, game director Liam Edwards told me that while GTA 6 was certainly a consideration, there’s no sense in waiting for all the stars to align because that’s not what the stars do in the games industry.
“Honestly, it was in everyone’s mind, I think, all year. ‘When is that game releasing,'” Edwards told me. “But I think for us actually, when we finally decided on November, it was a mix of: ‘Okay, we have to ship and can’t keep waiting around. If we delay, there are also hundreds of games like ours, other indies who will have delayed, and then we’re fighting against them for attention.’ There’s sadly no ‘right answer.'”
He said that his developer friends have questioned the decision, too, but added that Denkiworks hopes Tanuki: Pon’s Summer is “enough of a good time” that players will find it after playing games like GTA 6 and The Ocarina of Time remake, even if they don’t catch it in this small window between that pair of November titans.
I’ve been playing and loving Tanuki for about a week now. It’s a third-person adventure game that blends elements of BMX tricks with mail delivery in a quaint Japan-inspired town, and stars a lovable raccoon trying his best–provided he gets out of bed on time. It feels like a Nintendo game that somehow went multiplatform. Characters are as charming as the world around them is vibrant, and Pon feels like an instant fan-favorite character and mascot. (Could somebody please make a plushie of this fella? My daughter is begging you!)
Edwards said the game started out as his way to give back to Japan, which he moved to over a decade ago and grew to appreciate. Inspired by four specific cities–Kyoto, Sapporo, Beppu, and Aomori–he told me he and his team sought to bottle the region’s authentic feeling. They looked to all aspects of Japan’s signature architecture and temples, even down to smaller quirks like its colorful manhole covers. This scenery is presented to the players through the eyes of Pon, who’s initially an outsider, much like Edwards once saw himself.
Always envisioned as a biking-in-Japan game of some kind, Edwards noted that he first wrestled with ideas of making Pon’s Summer in reaction to the pandemic, with a story about people who couldn’t leave their homes. However, the team pivoted to reach for something more positive because so much else at the time felt negative.
Instead of navigating a neighborhood of shut-ins, Pon interacts with folks all over town, doing odd jobs in the form of mini-games, like sumo wrestling and working a sushi bar. As he bikes around, an energetic soundtrack takes over, and though it’s not diegetic, it feels as though it invigorates the lovably lazy raccoon.
The end result is a charming adventure game that mashes up the mail-delivery coziness of Lake with the extreme-sports flair of Tony Hawk Pro Skater, all in a just-go-with-it story reminiscent of a Ghibli film. It’s a blend I didn’t know I was waiting for, but writing this after a night in which I woke up three hours early with GTA 6-induced job anxiety, it turns out Tanuki: Pon’s Summer is exactly what I needed this November.
Tanuki: Pon’s Summer is out now on PC, PS5, Xbox Series X|S (including Game Pass), Switch 2, PS4, Xbox One, and Switch.
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